Onward: Pixar and its Imagination Stories
Through Onward, Pixar has re-created their own imaginative world. Imagine Zootopia, but replace animals that behave and live like humans, with mythological creatures. Unicorns scramble for food in the trash like wild cats, dragons replace the role of dogs as pets, centaurs work as police, and others. And in a world of rows of magical creatures, there is no magic in the form of magic as we always see in various fantasy stories that involve them. If you want to see this movie, you can go 123movies.
More precisely, magic has disappeared, replaced by technology that is more practical use. No need to cast a spell, no need to go through intense training. Interesting concept, although it is difficult to dispel hopes that the manuscript made by Dan Scanlon (Monsters University) together with Keith Bunin (Horns) and Jason Headley (A Bad Idea Gone Wrong) further explores the workings of his world, as always the advantages of Pixar’s best titles.
In this world our protagonist lives. His name is Ian (Tom Holland), a teenage elf who is awkward in socializing. His sister, Barley (Chris Pratt) is obsessed with world history, especially magic and his magical adventures. Meanwhile, her mother, Laurel (Julia Louis-Dreyfus), after her husband died, was in a relationship with the centaur police, Colt Bronco (Mel Rodriguez).
It should be understood first, what message Onward wants to convey. As the title suggests, this is a story about stepping forward. Not about chasing the past, but how the past is useful for the present and the future. The figure of the father who was gone (past) helped Ian realize how valuable Barley (the present). Witchcraft (past), contributes to the growth and development process of Ian (the future). While in the family sphere, Onward invites to pay more attention to loved ones who are still beside us, instead of sinking into the longing for another beloved figure who has died.